Is Odysseus Really A Hero?

The ‘Odyssey’; a heroic poem telling the amazing feats of the poor, wonderful, ‘resourceful’ Odyesseus.

… if you were to tell the abridged version. Yet if read properly, the ‘Odyssey’ portrays a man that may not be as perfect as he may first seem.

Countless times, Odysseus shows weakness and ‘door matt’ish behaviour. In the city of the Cicones, his men easily persuade him to stay, resulting in the loss of many men when the Cicones attack. He is careless when on the isle of the Lotus Eaters, sending a few men off to search, when really, he should be responsible for testing if the lay of the land is okay. Furthermore, when they reach the land of the Laestrygonians, Odysseus is clever and moors his boat outside of the harbour. The only thing is is that he doesn’t tell the rest of his ships to do this, and the moor in the harbour, so when they are attacked by the Laestrygonians, only Odysseus’ ship manages to escape as they are already away from the enclosed bit of land. He lets his curiosity get the better of him when, despite his men’s warnings and his feeling that something bad will happen, he stays to explore Polyphemus’ cave. This results in them having to escape this cyclops, and they nearly make it away unscathed when Odysseus just has to go and taunt Polyphemus; Polyphemus asks Poseidon to curse Odysseus, to not reach Ithaca for a long time, and to lose all of his men. This later becomes the demise of many of his men.

In my opinion, the worst thing that Odysseus does is to keep the truth hidden from his men. Aeolus gives them the winds in a bag; Odysseus has no need to refrain from telling his men this, but he does so anyway. His men believe it is a bag of treasure, and when they are nearly back in Ithaca, they open it in spite, and are sent all the way back to Aeolus, who refuses to help them a second time. This happens again, when he forgets to tell his men why they should not touch the cattle of the Sun God, despite being persistently being warned against it. His men think that he is just being unnecessarily restrictive, and so kill and eat some of the cattle. (Oh, and I might add that this is while Odysseus has randomly wandered off and fallen asleep) So the result is death for all of his men, and Odysseus is left all alone.

Throw in some sleeping with women who aren’t his wife, a bit of a short temper and laziness when it comes to leaving Aeaea, and you’ve got quite a wonderful image of a hero, right?

However, there are good parts of Odysseus which I feel I must add (rather reluctantly, mind, as it weakens my point a little).  From his run ins with the Cicones and the Laestrygonians, Odysseus learns to be a little more wary when approaching strange lands. Before searching the land of the Cyclopes, he moors his ships on a neighbouring island just to be safe, and only takes a select few men to investigate. He is also very clever in thinking of the plan to escape from Polyphemus; not everyone would think to strap themselves to the underside of some sheep.

He is also careful in the way that he approaches Circe’s place, by acting fairly, drawing lots to see who explored and who stayed behind to wait for word. When he hears that his men have been turned in to pigs, he goes alone to rescue them, so as not to risk any more of his men. He manages to follow Hermes’ instructions perfectly, and when Circe tells him what to do in Hades, he follows these instructions too.

He knows not to make his men afraid, so instead of telling them about Scylla, he lets them focus on Charybdis. Sure, men die, but it is not because of his often-poor leadership skills; they have to do this in order to get home.

When he is with Calypso, we really see that one of his main desires is to be back home with his wife; we see his weakness because of this, and so he is turned in to the vulnerable good guy with whom people will tend to side.

What is more is that he knows when to hold off from being a man for a girl. He is respectful of Nausicaa’s age, innocence and status; he does not take up any of her advances, and refuses to walk in to the city with her for fear that it will be inappropriate for  a young, high-status girl to walk in to the city with an older, unknown man.

When he returns home, he does not rush back immediately without thinking. He has planned that he must bide his time and win the trust of those loyal to him while he is disguised. This is clever of him, and because he does this, he is able to win back his estate and his wife.

From all of the good that he does, Odysseus seems like a caring and strong hero; from all of the bad that he does, he is just a regular man who somehow managed not to do die because he was cunning and could follow instructions.

I looked at Homer’s portrayal of Odysseus in order to aid my project, as I really love the two sides to Odysseus. On the outside, he is a hero, but if you actually know the story, or look at it a tiny bit more carefully, we see that he is not so perfect at all. When producing my film, I don’t want my character to be a flat stereotype of a mentally ill person, but I want to show that he has a personality and that I have learned about someone who is  a psychopath.

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Posted in Character

Donnie Darko; Use of Sound and Music

I thought that I would take a look at the use of sound in this movie as I remembered that it was more interesting than other movies that I have watched recently.

There are times at which there is little sound besides from ambient sound. I find this a good thing as it drew my attention when scenes had additional music in them.

For example, whenever Frank was mentioned, was present or about to be present, Richard Kelly decided to use an electric humming sound, much like a generator, that added a disconcerting feeling to these scenes. Donnie has mental health issues, most likely (as discussed by his parents and his therapist) schizophrenia. I imagine that this sound replicates the feelings and atmosphere that Donnie would sense when experiencing such episodes.

A lot of the music seems rather ironic. It is very lighthearted at times when maybe other directors would have chosen heavier  or more dramatic music. For example, when everyone is discussing that the water pipes at school have been tampered with, and we can see that Donnie is pleased with the success of his efforts, we might expect to hear music that is perhaps a bit tense as he doesn’t want to be found out; the music Kelly has chosen here is lighthearted with just a hint of being a little tentative.

Whenever Donnie is experiencing everyday life, the music that is used is very enveloping. For me, it sealed me in to a little bubble in which I could feel Donnie’s struggle. There is a fantasy feel to this music, meaning that if I were watching a fantasy film with faeries, unicorns and centaurs in it and it had this kind of music as its soundtrack, it would feel completely in place. To me, this indicates that in Donnie’s world, there is no longer an easy distinction between what is real and what is surreal. This is exactly what insanity is about, as seen here:

insanity

n. mental illness of such a severe nature that a person cannot distinguish fantasy from reality, cannot conduct her/his affairs due to psychosis, or is subject to uncontrollable impulsive behaviour.’ Legal Dictionary

Likewise, whenever time travel is being discussed, the music that is used is very much like that on a 90s educational science video tape. It conveys the idea of learning, focus and intrigue. This music in ‘Donnie Darko’ is less cheesy than in these videos, however, and I like that Kelly has chosen to do this as it is relatable to the audience that may be watching it; that kind of sound is related to learning and curiosity and so that is what Donnie is experiencing.

I was looking at the differences between the cinema release and the director’s cut here and I noticed that a few differences were music related.

This song was used in the cinema release. I think that it conveys a sense of determination and the steady and driving beat accompanies well what seems to be Donnie going about his daily business. It sings of fate; this just as to happen, as it always does.

This was used in the director’s cut. I feel as though the correct song was chosen for the cinema release; this song just seems to be not quite right. The Echo And The Bunnymen song seems to have a dizzying sort of feeling, as may accompany the troubles of having a mental illness, where a this, I feel is too fresh and on-the-surface of reality. It doesn’t seem to go any deeper, in to a non-reality.

Overall, I think that Kelly was very successful in his choosing of music for ‘Donnie Darko’. It seems as though a lot of care and thought has been put in to creating the soundtrack, and this is something that I want to do with my film. I don’t want to pick any old song just because it fits with the mood; I want it to feel right instantly.

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Posted in Film analysis, Music

Credits; Hold On

This song does seem to convey the feeling of short-lived passion that comes along with the idea of my main character killing the girl after the first date. It gives a vibe of carelessness which my main character definitely shows, killing a girl in plain sight in the middle of the day.

However the song, yet again, contains a sense of humour and I really cannot have that in my piece. Besides, it is way more upbeat than I would like.

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Posted in Music

‘Say A Little Prayer’ Aretha Franklin

 

This choice of song for the end credits of my film may seem a little odd, but it actually fits surprisingly well. I can imagine it as some of it being sung by the girl that my main character is stalking, and partly from his point of view as well.

It seems rather girly, chilled and not hard enough considering the theme and atmosphere that I want to create in my film, but I quite like it, as it adds a different side to my character and the events. Perhaps my main character is not feeling anger, but regret, in a soft, romantic manner. Perhaps the sadness he feels is towards himself instead of her, as he has let himself be fooled, and so he’ll be damned if he lets her fool him again.

There is a risk that using this song might add some humour to my film, and humour is not on my agenda; it is meant to be serious and dark. So I will have to weigh up my other options.

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Posted in Music

Credits; Happy

I quite like the idea of using this song. In his mind, my main character wants to kill his ex because she has betrayed him. I think that I might use a song that reflects my character’s thoughts rather than the events that actually have taken place. I think that this is in contrast to the song that I have chosen for the introduction, which I feel the viewers would relate more to the events in the film.

I know that I have refused certain songs because they are upbeat, yet this one seems upbeat and I am strongly considering it. That is because I definitely would not call this a happy song, but a song that holds quite a bit of anger and annoyance. It’s about someone who’s so caught up in their idea of being angered by the world that it blinds them.

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Posted in Music

Credits; Someone Like Me

I rather like this song for my credits. My main character thinks that he has found his girl, and he thinks it’s going well; ‘too good to be true’. But the thing is is that it is too good to be true. He has dreamt up this whole relationship based on this girl that he’s seen maybe once or twice.

I think that this might transition well from my final scene, as the final scene is rather calm and this song is chilled, however I would have to see if it fits correctly when editing my film.

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Posted in Uncategorized

Credits; Move It On Over

I quite like the idea of using this song for the credits, as it pretty much sums up what would be going through my main character’s mind. However I feel as though this song would much better suit a dark comedy action sort of film, and so it may be a little inappropriate. It’s a little too lighthearted for my film.

I decided to explore other versions of this song to see if any different version might suit the feel of my film any better. I found this version.

This version would probably suit my film if I were going for a more glamorous atmosphere, however it is too chilled and would seem rather out of place.

Any other version that I found was still very country and upbeat, with more of a road trip vibe than anything else, and so I think that I may have to leave this song be for now.

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Posted in Music

Dull Days

After endlessly searching for ‘dull photography’, ‘dreary photographs’, ‘photographing depression’ and such, I fell upon the work of Christian Hopkins. He does photography inspired by his suffering of depression, and I feel as though he manages to reflect this very well in his images.

The saturation in this piece is very low, yet there is still colour; to me, this leeches all colour of life. To remove all colour completely would, in my opinion, have been a bad move, as this would have added a sort of glamour to the piece like an old movie. To keep colour in the picture makes it closer to everyday life.

It’s not worth me talking about these two photographs separately, as what I have to say about both is exactly the same. As the desaturation in the first image removes the life from the colours, I feel as though the monochromatic nature does likewise. The blue-green tint to the images rightly reflects the drowning feeling that depression brings along with it. Also, with depression, you do feel as though you are looking at the world through tinted glasses. The light is very diffused, with low contrast and low exposure, which enhances the dull and dead feeling of these photographs.

In fact, on my initial searches for this entry, I was looking up how to photograph dull days. It connects for me, because with depression, every day is a dull day, and so capturing any dull day, whether in your mind or in reality, would require the same ideas and techniques.

I am not sure of the photographer of this piece, but I found it here. In this post, it tells you why dull weather is good for shooting water. The light is more diffused and so there is no glare on the water. The lack of harsh light creating dramatic contrast means that the shadows are less black and more grey. I feel as though a deep dark colour contains just as much life as a bright colour, as it is rich. So in making the darker colours more grey, it weakens them, creating a heavier and more dreary feel to the image overall. I feel as though Hopkins’ photography uses this same kind of idea when creating his portraits.

What is more is that if you look at this image, you see that the grey is not really a tone between black and white, but actually that it has a purple tint to it. I decided to look in to why this looked normal and effective and came across this information:

‘Think about how much is truly black in nature. Shadows are not simply black nor a darker version of the color of the object. They contain the complementary color of the object.

Take, for example, the shadow on a yellow object. If you mix black and yellow, you get an unattractive olive green. Instead of using this for the shadow, use a deep purple. Purple being the complementary color of yellow, both will look more vibrant. If you can’t figure out what colors are in the shadows, simplify what you’re looking at by placing your hand or a piece of white paper next to the bit you’re having trouble with, then look again.’  Color Theory Lessons – Marion Boddy-Evans

It looks appealing and natural because most of the subject of this image is a yellowish-green, so take away this sort of colour from the shadows and you’re left with a purple hue.

If you look at Hopkins’ images, we can see that this idea is present as well. What makes them so touching and relatable, therefore, is that even though they are highly edited and altered, the natural and realistic side to his photographs is still strongly present.

In the film that I am creating, I want to keep it as realistic-looking as possible, and I think that I would manage that by seriously thinking about the exposure, contrast and colour levels.

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Posted in Photography

Jodi Bieber

Bieber’s work is filled with ideas and emotion, which I believe she has accomplished  by strongly considering the composition of each image, the posing of the subject and the levels of lighting that she uses. She uses low exposure which I feel makes the subject that little bit more intense; it conveys more emotion on a deeper level, and so her images don’t just say ‘I look good and isn’t it such a wonderful, perfect day?’

I love how the lighting and composition of this piece has been thoroughly thought out and planned. Cameron is facing the light which highlights his pensive position and expression. This contrasts massively to the deep shadow directly behind him, which to me, suggests a heavy past. Upon doing a little research on Cameron, I found out that his past is indeed filled with conflict and complications. Cameron is openly living with HIV/AIDS and during the apartheid, he was a human rights lawyer, and Nelson Mandela appointed him as a judge later, so it is evident that he has had a lot to deal with throughout his life. I feel as though Bieber has managed very well to show all of this in this one simple image, seemingly of a man thinking in his chair.

In this image, you can only see Cooke’s face which is the part of the human body that conveys the most emotion. Bieber has eliminated the rest of Cooke’s body, and so we see her as a normal person, not as the occupation that she holds. Yet we are gently reminded of the seriousness of her existence by her police hat. Her expression is wary, yet strong, which seems to convey exactly how I would expect her to be after being in Iraq, attempting to build a police force. Yet the fact that only her face is present in this photograph makes me think of a mask, and so that wary look in her eyes is amplified, as it may also show how scared and vulnerable she really feels. Bieber has chosen to light Cooke from above, so that dramatic shadows are cast which really define her expression, making the emotion behind the image more intense.

Light is more than just how bright or dark it is; it’s also the key to the look, mood and atmosphere of your images. The direction of the light will affect how the shape and texture of your subject appears, while the colour and how soft or harsh the light is can totally change a shot’s appearance.’ Photography Lighting: easy ways to take control of light 

What drew me to Bieber was her consideration of light to tell a story, but through research, I found that she really thinks about the composition of her pieces as well in order to tell the story. When experimenting with levels of lighting and composition while filming, I found that I preferred to use a lower exposure, as the story that I am telling is dark and filled with secrets. This made my main character seem that bit more foreboding. I think that I would like to focus on using low exposure, but with a slightly higher than average contrast in order to create the sort of depth that Bieber manages to create in her pieces.

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Posted in Photography, Uncategorized

Ghost World

 

I loved the atmosphere of this film. It is meant to be a comedy and my film that I am making is very serious, however ‘Ghost World’ has more of a dark sense of humour than a sit com sort of humour. These two girls lead such a dull and depressing life, and Terry Zwigoff helps the viewer understand that so well that when watching it, I myself felt as though my life was like theirs.

Whereas the colours in ‘Ghost World’ pull you down by being vibrant and cloying, I have opted for bringing people’s moods down by filming with a low exposure and mostly at might time with artificial lighting. I find that a lot of artificial lighting can make me feel depressed, and I suppose that this is because I put it on when not enough natural light can get in to a room. I find that natural light combined with fresh air makes me feel less depressed, and so turning on artificial light is admitting that there is a lack of this happy light. Artificial lights that are white have less of a depressive effect on my mood than those that are yellow as it is more akin to natural light, and so in my film, I want a slight yellow tint.

In fact, in cases of season affective disorder, light therapy is suggested.

“Light therapy is a way to treat seasonal affective disorder (SAD) by exposure to artificial light. Seasonal affective disorder is a type of depression that occurs at a certain time each year, usually in the fall or winter.

During light therapy, you sit or work near a device called a light therapy box. The box gives off bright light that mimics natural outdoor light.

Light therapy is thought to affect brain chemicals linked to mood, easing SAD symptoms. Using a light therapy box may also help with other types of depression, sleep disorders and other conditions. Light therapy is also known as bright light therapy or phototherapy.” Light Therapy by Mayo Clinic Staff

That is what I want to do with my piece. I want to make the viewer temporarily feel as though they are swallowed in to the action and the world of my main character. The style of this film is quite dark and depressive and so I want my viewers to leave after watching the film feeling a dragging feeling temporarily through their day.

Posted in Photography, Psychology
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